A Feminist Look at The Descent of Odin :: Descent of Odin Essays

A libber Look at The Descent of Odin It is obvious that there are many an(prenominal) differences between men and women. Throughout history women have been taught to dress, act, and speak other than than men. These differences are so common that they can sometimes be lose in everyday life and in fileing. By taking a closer look at poems and stories one can begin to tick how frequently gender differences occur. Thomas Grays The Decent of Odin, read from a Feminist point of view can reveal many examples of these differences through the use of dialogue. The Marxist Feminist view looks at the blood between class and gender (HCAL 202). This poem was written in 1761, a time when women were considered second to men. Men spoke down to women and controlled them, especially women of a lower class. In this poem Odin is the chief of the Norse gods and the Prophetess is but a lowly god of the underworld (Grey 61). This gives Odin control over her. The poem shows a good example of this co ntrol that men Odin has. When he is asking to capture out who killed his son he commands the Prophetess to, Once again my call practise (51). Three times he orders the Prophetess to obey. This continual order to obey is too a clue to the reader that Odin is of a higher class than the Prophetess. He not only commands the Prophetess, but also insults her. After she discovers who Odin is, he lashes derriere at her by saying, No boding maid of skill miraculous art thou, nor prophetess of good but mother of the giant brood (84-86) At the time that this poem was written chivalry was very important. Although a cleaning lady was not considered equal to a man, she was treated with some respect if she was of an top(prenominal) class. The Prophetess, however, was of a class of gods below Odin and, therefore, she was spoken to like a servant. sexual practice differences are further woven into the tone of each of the characters. Odin speaks forcefully as men do more often than women. H e is also more direct in what he is saying, where as the Prophetess takes four lines to ask who wakes her from her sleep. Odin interrupts the Prophetess at one point in the poem, which is an action associated with men more than it is with women.